The archive was, after the buildings, furniture, and landscape of the two Taliesins, the most tangible link to Wright and the early years of the Taliesin Fellowship.Īt Columbia, for Janet Parks, Carol Ann Fabian, and the whole staff of the Avery Library, it meant a daunting logistical task first of housing a huge archive in already densely configured archival storage at the heart of the Morningside Heights campus, even as it promised a huge increase in the number of researchers and research requests of materials at the nation’s largest architecture library. It was an emotional moment, even if many had come to terms intellectually with the argument that the transfer to a more readily accessible repository, with a broader audience and professional resources in place, made a great deal of sense in conservation and scholarship terms. For the Foundation, the transfer meant entrusting a very important part of the heritage of Frank Lloyd Wright that had been carefully held, catalogued, and studied for many decades - notably under the leadership of the tireless Bruce Brooks Pfeiffer and in more recent years Margo Stipe - into new hands some two thousand miles away. There was a great deal of nervousness on all sides five years ago as the three-party agreement on the transfer of the Frank Lloyd Wright Foundation archives from Scottsdale and Spring Green was signed between the Foundation, the Avery Fine Arts and Architectural Library at Columbia University, and The Museum of Modern Art after many, many months of discussions and fine-tuning.
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